Changelog
Newest first. An entry appears here only once the thing it describes is live and there is somewhere you can go and use it — so this page is a record of what you can actually do, not of what has been built.
Publishing builds the three files a book needs to go on sale: a print interior, a retail EPUB, and a cover whose spine is sized to the finished page count. You enter the title, author, imprint and ISBNs once, and they are typeset in.
A build is quoted before it starts, and says what it still needs from you before it can run.
Loreon reads your chapters aloud in voices you cast. It works out who speaks each line, so dialogue goes to the character who said it and narration goes to the narrator — and where it cannot tell, it names the line rather than guessing.
What comes out is a finished audiobook — a single file with chapter marks, which a player can resume where you left off. It can also give you a separate file for each chapter.
Ask what would happen. Scenario Lab puts a premise to your actual cast and reports how it plays out, beat by beat — each character deciding from the behavioural contract you wrote for them rather than from a generic idea of how people behave.
Every beat shows its working: what each character considered, what the world allowed, and why the run went the way it did. What you want to keep can be written back into the project. Nothing is written back on its own.
It is a thinking tool, not an oracle. A run is one way things could go, laid out so you can argue with it.
Continuity checks produce findings. The worklist is where findings become work — every open item in one place, each pointing at the passage that raised it.
A revision pass becomes a list you work through rather than a report you re-read. Items stay until you deal with them, and clear when the thing that raised them is gone.
You can close your Loreon account from settings, without emailing anyone. Deletion re-authenticates first, then removes your projects, manuscripts, and stored prose along with the account.
It is a deletion, not a flag on a row. What the cascade covers, and the little we are required to keep, is set out on privacy and ownership.
Projects can be deleted from the project list. The delete removes the manuscript and the prose stored with it, not just the row you can see.
Your balance now sits in view while you work, and settings carries the full ledger behind it — what you acquired, what each run spent, and the running balance after every entry.
Spending on writing tools is usually a number that only goes down, with no account of why. This is the account.
A forensic view of your outline: what is established, when it is established, and what depends on it — laid out as a timeline you read across rather than a list you scroll.
The board keeps its own record of what it has judged, so a change to the outline marks the affected findings stale instead of quietly leaving them behind.
Credit packs can be bought from settings. No subscription — you buy credits, they sit in your balance, and they do not expire on a monthly cycle.
Payments and refunds are handled by Paddle as merchant of record. Pack sizes and prices are on the pricing page.
Runs that use credits reserve an estimate before starting and settle against what the work actually consumed when they finish. If a run costs less than its estimate, the difference returns to your balance rather than staying spent.
A run that would take you past your balance says so up front instead of failing partway through.
Generation runs let you pick which model does the work. Faster and cheaper for a rough pass, slower and stronger when the prose has to hold.
The choice is yours per run rather than one we make on your behalf.
A blank story bible is a hard place to start. The guided build now offers archetypal starting points for culture, magic, location, history, and cosmology — filled-in answers you edit into your own world rather than a form you face empty.
They are starting points, not constraints. Everything is yours to overwrite.
Longitudinal scores for the things that drift over a long book — pacing, balance, and the shape of the manuscript chapter to chapter.
Metrics describe; they do not grade. They are most useful as a place to look when something feels wrong and you cannot say where.
A project can hold more than one volume, with a series bible above the books and continuity checked across them.
Book two contradicting book one is the failure a per-book tool cannot see. This is the surface that can.
When your drafting establishes something the bible does not know, Loreon proposes the canon update rather than silently diverging or silently rewriting.
Proposals wait for you. The bible stays yours to keep.
An adaptation track that runs from viability audit through strategy and structure to a treatment and a screenplay, with Fountain and PDF export at the end.
Each phase is gated on the one before it, and the constraints you set stay visible while the work happens rather than being checked only once it is done.
Publishing prep drafts the documents a finished manuscript needs — synopsis, query letter, blurb, and market positioning — from the book you actually wrote rather than from a description of it.
Foreshadowing, subplots, and relationship arcs tracked across the manuscript — what was planted, where it paid off, and what is still hanging.
The thing you meant to come back to in chapter thirty is the thing you forget by chapter twelve.